The first
thing the audience hear is a non-diegetic sound of a women screaming.This is an audio representation of the title
of the film, and helps the audience infer that the genre of the film is likely
to be a thriller/horror as someone generally screams when they are in danger.
The scream creates suspense and curiosity from the audience as they wonder as
why the character is screaming and what danger they could possibly be in, which
makes the audience intrigued of the storyline of the film from the beginning.
Whilst the audience hear the scream, they also hear a non-diegetic heartbeat
and phone call. The heartbeat build tension and the phone call creates
suspicion in what a phone would have to do within a horror movie. The phone
ringing acts as a soundbridge into the first scene and the screaming introduces
the audience to a female character. At first the title is white, which may
suggest a vulnerability and innocence of the characters in the film, which
would make sense to the audience because usually in horror films there are
often many victims. However, in seconds the title turns red, which way suggest
a more sinister and evil undertone to the film. Furthermore, we usually
associate the colour red with danger and blood which foreshadows possible
future event in the film.
In the
opening scene, the camera shows a phone ringing and then pans upwards to show a
young women answering it. The fact that the main character in the film is a
women is stereotypical as it is likely she will find herself and unable to
defend herself. In addition, the women is wearing a white top which connotes
purity and innocence.
A medium close of shot of the women is used to show her
facial expression and the window behind, the showing that it Is dark outside.
It could be said that this is a symbolic code through the use of binary
oppositions as the victim is dressed in lighter clothing also showing innocence
and goodness whereas the use of the surrounding darkness and the killer is
dressed in completely black representing unknowingness and evilness.
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